ICDAD

International Committee
for Museums and Collections
of Decorative Arts and Design

Conference Archive

Conference // Lisbon 2020 // CfP deadline postponed

April 27, 2020

Due to the pandemic situation, the ICDAD board decided to postpone the deadline of the annual call for conference papers to June 30, 2020.

As this is a rapidly-evolving situation, it is not possible to provide advice about travel in the near future. Also, we do not know what the financial situation in the museums will be after shorter or longer periods of closedown. For the moment we have decided to go on planning the conference in Lisbon on October 14-16, 2020. Therefore, we encourage you to participate in the round of call for papers and would like to inform you that alternatives are considered currently for the conference timing and format. You will be informed by the end of May about all possible changes in the plans.

Stay safe!


Conference Archive

CONFERENCE // LISBON 2021 // REVIVALS

February 12, 2020

The 2021 Annual Conference and General Assembly of ICOM International Committee for Museums and Collections of Decorative Arts and Design will take place at the National Palace of Ajuda in Lisbon, Portugal (plus two days for the post conference tour to Coimbra and Porto).


Conference Archive

Conference

February 12, 2020

Conference Information

ICOM-ICDAD ANNUAL CONFERENCE | LISBON 2023

ORNAMENT

10-12 OCTOBER 2023

PALÁCIO NACIONAL DA AJUDA, LISBON, PORTUGAL

Click here for the Conference Program

Click here for the Program of the Post-Conference Tour

Click here for Bus and Hotel Information

“Ornament is not only produced by criminals; it itself commits a crime,” So said architect and designer Adolf Loos in his 1910 lecture-turned-essay “Ornament and Crime,” where he described the effort in designing and creating ornaments as superfluous and wasteful and helped to set the stage for the minimalist, stripped-down forms that would shape modern architecture and design for much of the twentieth century. More than fifty years later, postmodern designers rejected the strict functionalism of modern design, with Robert Venturi declaring, “more is more, less is a bore,” and Ettore Sottsass poetically describing decoration as “a state of mind, an unusual perception, a ritual whisper.”

 The debate over ornament—what is its purpose, what should it look like, how should it be applied, and is it even necessary at all—chronologically and geographically transcends any of these figures and is in fact as old as the field of decorative arts itself. Skilled craftspeople have been producing ornament-laden decorative arts for more than a millennia. Throughout the world, cultures have developed complex relationships to ornament, making it an ideal topic for ICDAD’s 2023 annual meeting. 

This year’s ICDAD conference invites papers that consider the many dimensions of ornament and its multiple roles in decorative arts and design. For instance, what is its role today? How have relationships to decoration evolved over periods of time?  What are its social and political functions? Does ornament enhance or obscure meaning and use? How do different cultures address ornament and decoration, and where have they served as a connector between communities? How does decoration function in global art history, and how might the approaches taken by artists and makers in non-western countries illuminate alternative relationships to ornament? 

Lisbon is an interesting site for this productive dialogue; a city marked by its centuries-old tradition of decorative tile as well as gilded and polychrome wood carving. Lisbon is also the home of present-day designers rethinking associations to material and aesthetics. The ICDAD meeting in Lisbon will take full advantage of this fertile ground, visiting significant historical sites and museums throughout the city and the surroundings while engaging with contemporary collections and makers. 

Registration

Click here to register for the conference and post-conference tour

Please note that there’s a limit of 60 participants. Registration will close when the conference reaches capacity. Register now to secure your spot.

The fee for participating in the conference (10–12 October) is 200 euros. Members who have registered by 20 August, up to the capacity of 60 participants, will receive an invitation to pay by bank transfer. If payment is not completed by the required deadline, the spot will be offered to the next member on the waiting list. You will receive an invoice first and a receipt afterwards. Any banking fees accrued from the transfer are the responsibility of each participant.

The fee for the two day post-conference tour (13–14 October) to Sintra and Coimbra will be 130 euros. Payment for this tour will be arranged in Lisbon, in cash. 

Membership Requirements

Please note that all participants must be individual members or representatives of institutional members of ICDAD at the time of the conference.

Find more information about how to become a member of ICOM and ICDAD here: https://icom.museum/en/get-involved/

If you are already a member of ICOM, please log in to the IRIS memberspace and choose ICDAD as your primary International Committee: https://icom-museum.force.com/login

Hotels

We can recommend these hotels

Questions and contacts

For questions on the conference: icdad.lisbon23@gmail.com

For any questions on ICDAD membership: secretary.icdad@icom.museum

Conference Archive

Image source: CC-BY-SA 3.0, IPPAR/IGESPAR

 


Conference Archive

ICOM Kyoto 2019

June 20, 2019

REPORT KYOTO 2019

ICDAD Individual Sessions, 2–3 September, and Joint Sessions with ICFA and GLASS, 4 September 

ICDAD’s 2019 annual meeting was entitled “The Future of Tradition in the Arts, East and West,” focusing on Asian art-related themes. Three days of lively sessions took place to a packed audience. Speakers from 20 countries or territories presented on such topics as cross-cultural influences; Japonisme and Chinoiserie; Asian or Asian-influenced ceramics, lacquers, textiles, and furniture; and the presentation of Asian art in Western museums. A major art world discovery was premiered at ICDAD by Tetsuro Degawa, director of the Museum of Oriental Ceramics, Osaka. The Japanese public broadcaster NHK came to ICDAD to film his first ever public presentation of the discovery of a Song-dynasty black glazed teabowl with iridescent markings (yohen tenmoku)—only the fourth of its kind in the world. At the General Assembly, Secretary Maria José Tavares announced the 2020 annual meeting in Lisbon, Portugal and upcoming board elections.